Let us consider the contents of this book and the reasons for including each topic.
A number of basic technologies have been developed by specialists over the last thirty years of the twentieth century. These technologies have their roots in an exciting amalgam of:
We wish to provide enough information so that students and the dedicated layman can understand the nature, synthesis and transformation of sound which form the basis of digital sound processing for music and multimedia.
We provide enough background in computer techniques so that you, the reader, can write computer ‘algorithms’ (programs) to realise new processes central to your own musical and sound processing ideas.
Much ground has to be covered to provide all of
the material necessary to achieve these objectives fully, and this probably
represents a lifetime of study! It is certainly beyond the scope of any
one book to cover the whole field. There are plenty of texts which deal
with the detail of the necessary techniques used in sound processing
systems. However, many of them are quite inaccessible for the newcomer
to the subject, and are often inappropriately structured for the purposes
of an understanding of practical systems.
The purpose of this book therefore is to provide a key
to the material in these texts, so that you can approach them with
the confidence that you have a firm, non superficial understanding
of the fundamental concepts which underpin the subject.