Books

Short works

Books : reviews

Judith Merril, ed.
The Best of the Best Part One.

Contents

• Richard McKenna. Casey Agonistes. 1958
• Cordwainer Smith. No, No, Not Rogov!. 1958
• Clifford D. Simak. A Death in the House. 1959
• Damon Knight. Stranger Station. 1956
• Theodore L Thomas. Satellite Passage. 1958
• Mack Reynolds. Compounded Interest. 1956
• Walter M. Miller Jr. The Hoofer. 1955
• Fritz Leiber. Space-Time for Springers. 1958
• Theodore Sturgeon. Bulkhead. 1955
• Carol Emshwiller. Pelt. 1958
• J. G. Ballard. Prima Belladonna. 1956
• Robert Abernathy. Junior. 1955

Judith Merril.
The Tomorrow People.
Pyramid. 1960

Judith Merril, Emily Pohl-Weary.
Better to Have Loved: the life of Judith Merril.
Between the Lines. 2002

What was it like for a gender-bender who made it in a man's world fifty years ago?

Known as the little mother of science fiction, Judith Merril burst onto the New York literary scene in 1948 with a disturbing story about nuclear radiation. Find out how Merril and other early science fiction writers lived, argued, dated, mimeoed their manifestos, and learned step by step how to write stories and (in some cases) how to get paid for them.

Better to Have Loved journeys amongst the people, places, and things Merril loved. Her life was a microcosm of alternative cultural and political movements. Born into early Zionist circles, she ventured as a teenager into the Trotskyism of the l930s and ’40s. From there she became involved with emergent science fiction, resistance to the war in Vietnam, the free university movement, and tuning-in and turning-on. In 1968, Merril moved to Canada to live and work in Rochdale, Toronto’s student-run university.

When Merril died in 1997, she left her granddaughter Emily Pohl-Weary with a partially-completed manuscript, a dozen tapes of interviews they had conducted during her last year, and complete instructions about everything she wanted included in the book. Better to Have Loved is the result.

Judith Merril, ed.
The Best of Sci-Fi 5.

Contents

• Carol Emshwiller. Day at the Beach. 1959
• Daniel Keyes. Flowers for Algernon. 1959
• Theodore Sturgeon. The Man Who Lost the Sea. 1959
• Hilbert Schenk. Me. 1959
• Mark Clifton. What Now, Little Man?. 1959
• Gordon R. Dickson. The Dreamsman. 1959
• Lawrence Block. Make a Prison. 1958
• Jack Sharkey. Multum in Parvo. 1959
• Cordwainer Smith. No, No, Not Rogov!. 1958
• John W. Campbell Jr. "What Do You Mean ... Human?". 1959
• Ralph Dighton. Sierra Sam. 1960
• Ray Bradbury. The Shoreline at Sunset. 1959
• Clifford D. Simak. A Death in the House. 1959
• Avram Davidson. No Fire Burns. 1959
• Roger Price. An Inquiry Concerning the Curvature of the Earth's Surface and Divers Investigations of a Metaphysical Nature. 1958
• Jack Finney. The Other Wife. 1960
• Damon Knight. The Handler. 1960
• Randall Garrett. Hot Argument. 1959
• Fritz Leiber. Mariana. 1960
• J. G. Ballard. The Sound Sweep. 1960
• Darrel T. Langart. What the Left Hand Was Doing. 1960
• Will Worthington. Plenitude. 1959