author : Connie Willis

A mixed collection of short stories. Of particular note: "Fire Watch" is a classic; "All My Darling Daughters" is a very angry, painful piece; "Blued Moon" is very funny.

Contents

• Fire Watch. 1982

A history student is sent back to the fire watch at St Paul's Cathedral, in London during the blitz of WWII. (Set in the same universe as Doomsday Book.)

• Service for the Burial of the Dead. 1982

When Elliott turns up for his own funeral, Anne tries to shield the family

• Lost and Found. 1982

It's all rather worrying when things that have been lost start turning up in the strangest places

• The Father of the Bride. 1982

"And they all lived happily ever after". All?

• All My Darling Daughters. 1985

Ouch

• A Letter from the Clearys. 1982

Why is the family so upset when the letter from the Clearys is finally delivered?

• And Come From Miles Around. 1979

People will come a long way to watch a solar eclipse. What if it's cloudy?

• The Sidon in the Mirror. 1983

A Mirror has some unfinished business on the burnt-out star of Paylay, if he doesn't Copy the wrong person first.

• Daisy, in the Sun. 1979

It's snowing all the time, and the sun never shines, but it's not cold. If only Daisy could remember...

• Mail-Order Clone. 1982

Why does his clone look nothing like him?

• Samaritan. 1979

When apes learn sign language, can they be taught religion?

• Blued Moon. 1984

Nobody seems to speak plain English any more

Contents

• Even the Queen. 1992

There is at least one aspect of womanhood that is more than worth rejecting.

• The Last of the Winnebagos. 1988

• Schwarzschild Radius. 1987

• Ado. 1988

After the PC brigade get hold of Shakespeare, all that is left of his complete works is four lines from Hamlet.

• Spice Pogrom. 1986

• Winter's Tale. 1988

• Chance. 1986

• In the Late Cretaceous. 1991

• Time Out. 1989

• Jack. 1991

• At the Rialto. 1989

Contents

• Uncharted Territory. 1994

• Fire Watch. 1982

A history student is sent back to the fire watch at St Paul's Cathedral, in London during the blitz of WWII. (Set in the same universe as Doomsday Book.)

• Even the Queen. 1992

There is at least one aspect of womanhood that is more than worth rejecting.

All Alis wants is to dance in the movies. But no-one is making movies, let alone musicals, with realpeople any more: it's all remakes with digitised actors. But Alis knows if you want something enough, you can get it, in the movies.

At 140 pages, this is closer to a novella than a novel. But there's a lot crammed into these few pages: a vivid depiction of a future Hollywood filled with decadent drugged-out people censoring alcohol and tobacco from old movies, and using computer graphics to remake those movies with different famous actors and different endings, interwoven with the references to the old movies themselves, all wrapped up itself as a movie plotline. Good stuff (it reminded me in some ways of John Varley's Steel Beach), if all too brief.

Sandra Foster is a sociologist trying to understand fads, Bennett O'Reilly is researching chaos theory. They both work for HiTek, a research corporation with a Dilbert-esque Management from Hell, where, due to an amazing series of blunders and coincidences, they end up working together.

This is a sheer delight, breathlessly paced, and wittily observant. Sandy is a fun, believable character: her obsession with fads, which she cannot stop herself seeing in every event around her, and the consequent hilarious view of modern life, are beautifully drawn. Her technique to stop her public library selling classic but unchecked-out books -- by constantly checking them out -- is one of the many wonderful subplots.

We get good gobs of chaos theory; the story is full of appeals to Nonlinearity, and Self-Organised Criticality (though not to Sensitive Dependence on Initial Conditions). The fads, the chaos theory, the sheep, and everything else, are all tied together nicely at the end. It's fairly obvious who or what the various causative factors are before they are finally exposed, but it's a wonderful romp getting there.

A collection of short stories, with a Christmas theme, ranging from sweet love stories, via horror, to fantasy/religious. The one that worked best for me is the title story "Miracle", where Willis displays the same love for old movies that she does in Remake.

Contents

• Miracle. 1991

A Christmas love story, explaining why Miracle on 34th Street is a better movie than It's a Wonderful Life

• Inn. 1993

Sharon discovers what happened when Joseph and Mary got lost on the way to Bethlehem

• In Coppelius's Toyshop. 1996

A child-hating man gets stuck in Coppelius's Toyshop at Christmas

• The Pony. 1985

What happens if you get the gift you've always wanted?

• Adaptation. 1994

The ghosts of Christmas Present and Yet to Come have a hard time in the modern world

• Cat's Paw. 1999

A Christmas murder mystery, with apes

• Newsletter. 1997

Why write a Christmas newsletter, when aliens are invading under people's hats?

• Epiphany. 1999

A priest gets a vision of the second coming, so heads west

• Helicon 2 panel discussion of the Arthur C Clarke Award shortlist

Connie Willis just gets better and better. To Say Nothing of the Dog is set in the same Oxford time-travelling historian universe as "Fire Watch" and Doomsday Book, with a much lighter touch, although the same passion for history, and a dollop of chaos theory.

Ned Henry and Verity Kindle are two of the historians slaving on Lady Schrapnell's Coventry Cathedral restoration project. Ned has been travelling back to Coventry in 1940, trying to locate the Bishop's Bird Stump; Verity is in 1888 trying to find Lady Schrapnell's greatⁿ-grandmother's diaries. But there are strange slippages and anomalies occurring, and Ned ends up back in Victorian England himself, with insufficient preparation for a very important mission to save the continuum, and something he can't quite remember. To say nothing of the dog.

The book is structured as a classic detective novel with a complex time-travelling plot, chock full of clues, red herrings, and meta-clues amidst all the glorious detail. It's full of references to the detective genre, and it helps if you're a fan of Three Men in a Boat, Agatha Christie, and especially the Wimsey/Vane detective novels of Dorothy L. Sayers. Unlike the latter, however, most of the Latin here is provided with a translation. It is brilliantly witty, cunningly plotted, full of wonderful observations of Victorian life, hysterically funny in places, chock full of delicious detail, poignant during the Cathedral bombing scenes, and just a damned good read.