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> Paragon2: Eastercon 2005
The 56th British Easter Science Fiction Convention
25--28 March 2005, Hinckley Island Hotel
GoHs: Ben Jeapes, Robert Rankin,
Richard
K. Morgan
,
Ken MacLeod
.
The third Eastercon in the bizarre, but friendly, Hinckley Island Hotel
(same hotel as
2001
and
2003
,
only the name has changed). The facilities were again excellent: good
function room space, friendly staff, and continuous food: the lunch and
dinner menus were this time more varied, and the queuing to pay problems
had been solved. Continuous process improvement!
Several items were themed around the Hollow Chocolate Bunnies of the
Apocalypse. The Sofa recounted ordering the prizes: "I went to
Thornton's and said that I wanted '
x
bunnies, this many with War,
Death, Plague, Famine", and they just said 'fine, you can pick them
up tomorrow'"
Programme highlights
David A. Hardy --
SFX in Space
Dave presented a DVD show which is essentially a scene-by-scene
comparison of the eerily prescient 1950 film
Destination Moon
and
the real Apollo 11 moonlanding, plus some other, rather less prescient,
space flight films.
Panel --
Not the Clarke Awards
A discussion of this year's Arthur C Clarke Award shortlist
-
The shortlist for the Arthur C Clarke 2005 award is:
-
Ian McDonald --
River of Gods
-
It's ambitious -- has 10-12 story lines -- set in India
-
only one that's on both the BSFA and Clarke shortlists
-
I really really liked it -- amazing world building : genetic
engineering, AI, alien artefacts, VR, social changes, ...
-
one of his most original and best
-
a little hard to get into, because of so many characters,
especially the first 60 pages
-
everything is new, almost overwhelming, but fascinating
-
then get to explore all the threads in detail
-
it's a Frankenstein plot -- things driving it go away and there's
no reason it couldn't happen again -- a weakness
-
China Miéville --
Iron Council
-
not his best book, but it's still crammed with wonderful
inventive ideas, baroque language
-
he finally writes
openly
about politics -- Marxist
revolution
-
mid section -- riffing off cowboy books -- tends to drag -- and
if you're not into railways it may be a bit of a bore
-
central section is a million times better than everything around it
-- the rest is too uneven
-
opening section is a D&D wilderness adventure with as many
interesting and entertaining monsters as possible!
-
he's constantly experimenting -- this is different again
-
after I'd finished, it didn't feel
quite
as imaginative or
exciting as the two previous -- it reined in some of the more excessive
traits -- his
style
is improving, but I didn't find it quite as
interesting -- didn't like the characters: they're idealistic
-
the revolution is a failure -- being idealistic doesn't bring bout a
better world
-
David Mitchell --
Cloud Atlas
-
not easy to describe -- published as mainstream -- Booker
shortlist last year -- six stories arranged like Russian dolls, also
arranged in time -- many styles -- the SF is very good, aware of
previous SF -- there's a near future
Brave New World
, and a
later post-apocalyptic -- all about the use of power
-
I count some of these things as weaknesses -- the different
styles, I don't see a purpose, other than showing off! -- each
individual segment is quite fragmented -- series of letters,
interview Q&A, ... -- very hard to read, very tiring -- keep
getting new stories, and am often not interested in them -- only
tiny
ad hoc
connections -- no unity
-
in every section, someone is being deceived, or is not who they
seem to be -- the style reflects the voices of the characters from
different eras -- but there are thematic similarities
-
it's about how history is understood in terms of stories -- one
of the characters turns out to be writing the previous story
-
it is written from outside the genre, but with a lot more
understanding than others, eg Atwood -- and there are no squids in
it!
-
he has two previous novels with a similar structure of multiple
voices
-
about deception and the use of power
-
more style than substance -- empty underneath
-
it didn't feel like a novel, but like a bunch of chopped up short
stories that didn't work -- felt like him playing with structure
-
style novels are usually forgettable, but this is very vivid
-
Richard Morgan --
Market Forces
-
tried twice to start reading it -- got bogged down, seemed silly
--
Mad Max
crossed with
Wall Street
-- couldn't get
on with it
-
Near future world, with contracts/promotion by challenge/duel in
car races, run your competitor off the roads, ideally kill them
-
very fast paced, cinematic -- found it difficult to follow in
text, but would be exciting on the screen
-
I really like Richard's other books -- Altered Carbon, Broken
Angels are also high octane -- this isn't his best book -- it has
only one idea and he worries it to death for several hundred pages
-- so why is it on the shortlist? maybe someone wants to praise it
as a searing indictment of capitalism, as a satire -- but it's not,
because satire is subtle and witty -- it's ignorant offensive crap
-- it's the moral equivalent of painting all gays as paedophiles
-
It's a very moral book -- it's very violent but it never shies
from the consequences
-
I think it does glamorise the thugs
-
you can't look at the main character and say that he's happy ever
after -- he's deluded
-
a smart reader will see that, but the not so smart
will
see it as glamorisation!
-
Audrey Niffenegger --
The Time Traveler's Wife
-
published as mainstream originally -- Henry has
chronodisplacement disorder -- the narrative follows Clare
-
it's a romance -- sentimental
-
it's decent SF -- the "disease" is handled logically
-
it's too long at 400 pages
-
it's a "Richard and Judy" book!
-
I couldn't finish this one-- I got 50 pages in and realised I
shouldn't read more or I'd be sick -- it was like reading whipped
cream and icing sugar
-
I found it very readable -- I liked the character of Henry -- and
I like Clare in the story -- I wanted to find out more about their
relationship
-
it is a
bit
saccharine, but not overly so
-
but it has nothing of import to say -- it's just a romance
-
it highlights what it takes to be an interesting person -- --
Clare has no self-determination of her future, waiting for Henry --
she's damaged as a result
-
it's quite a dark and nasty story about not having a choice
-
the author is clearly aware of all the genre jokes about time
travel, and works them in with twists
-
I don't rate it highly as an SF novel, but I do rate it highly as
a novel that talks about the the things that SF talks about
-
this is a relationship that couldn't happen without the SF
concept -- their first times are with each other, but not at the
same time!
-
the structure is classic romance stuff: a not very interesting
female character plus Mr Right
-
Neal Stephenson --
The System of the World
-
for this to be on the shortlist, many judges must (a) like Neal
Stephenson (b) like the Baroque Cycle (c) have read the first two
-
there's lots of research, and it's all on the page!
-
he has a great way of doing an infodump
-
it's full of wonderfully clever and inventive ideas, about one
every 100 pages -- it's desperately in need of an editor!
-
have you ever thought it
has
been edited?
-
I read it intensely in a day -- I loved it -- but I don't think
it should be on the shortlist
-
all three books are really one novel --
Quicksilver
wins
for all three?
-
also there's heated debate about whether it's SF -- it doesn't
stand so well on it's own, and it's not as SFnal as
Quicksilver
-
it's about the origin of science!
-
yes, but the SFnal content is minimal, especially per page
-
it's a homeopathic dose of SF
-
River of Gods
is favourite with the Panel -- but they suspect
that
Cloud Atlas
will win, or maybe
The Time Traveler's Wife
-
the BSFA shortlist this year is
Ken
MacLeod
,
Kim Stanley Robinson
,
Alastair Reynolds
,
Jon Courtenay Grimwood
, Susannah
Clark -- there's a very different dynamic between a voted award and a
judged award -- voted goes to most popular, judges each come along with
a few favourites, so you end up with a more interesting shortlist this
way, provided someone else likes it too
[
Iron Council
subsequently won the Clarke Award]
Panel --
Unrealised weapons of WWII
Robert Sneddon, Simon Bradshaw, John Richards
-
necessity is the mother of invention
-
WWII is the closest thing to a technical singularity we've seen
-
rationale for many projects less than rational or objective
-
no idea could be ruled out initially as too stupid, so some
stupid ideas got a long way
-
Grand Panjuram -- a 12ft high antimine device -- ran up the beach a
bit, turned round, and came back
-
the weapon that won the war was the proximity fuse
-
worked on by 1000s in total secrecy
-
sometimes harebrained ides work because not working is not an option
-- also, no-one looks at it closely enough to realise it's impossible
-
Most Secret War
--
R. V. Jones
-
Jeffrey Pike -- Magnus' mad cousin
-
ice is hard as concrete, but brittle -- mix in wood pulp -- tough
and hard to melt -- build a ship out of it! -- unsinkable, because
can't sink icebergs -- though of quite seriously -- half mile long
iceberg aircraft carrier
-
most "modern" weapons go back a long way
-
ballistic missiles -- V2
-
in 1943 a number of British warships were sunk by rocket
controlled missiles with a range of several miles -- later models TV
guided
-
lots of the wonder weapon systems so far in advance of their time
they were very poorly developed
-
lots of very new "let's try this and see what happens"
-
needed to be sold to politicians
-
Hitler was an inveterate micro-manager, fascinated with and
dismissive of wonder weapons
-
often very badly misemployed -- the Messerschmidt 262 was
employed as a long range bomber, not an air superiority machine
-
Germans invented the first modern assault rifle -- Hitler said,
that's fantastic, I want my personal bodyguard to have it
-
Whittle and OHayden both treated equally poorly by their governments
-
modern ones based on OHayden
-
Whittle's was sat on because of infeasible materials
-
German approach eventually found the better way of axial rather
than centrifugal flow
-
during Cold War, -- extremely controlled command economies in a rigid
state seem to foster local innovation -- because no way to get a project
done
other
than unofficially -- more open systems, "sensible"
designs only
-
one German aircraft manufacturer was allergic to symmetrical
airframes
-
one British test pilot said "entry into the cockpit is
difficult -- it should be made impossible"
-
if you tell the Army something is ruggedised, they will at best take
it as a challenge, at worst an insult to their ability to destroy it
-
crossbow with 6" nails -- shoot through the throat and nail to
the wall in one go!
-
In the field people try to fix things
-
the computer couldn't talk to the router -- sent out several
routers -- eventually went to look -- cable joining them was short,
joined with gaffer tape -- it had been "shortened"
-
surviving contact with the enemy is nothing like surviving
contact with the people using it
-
sticky grenades carried by dogs -- but targeted their own side's
tanks, which they'd been trained on!
-
misinformation -- had the Germans developing anti-infrared paint for
their subs, but were actually developing
millimetre
radar
-
pink camouflage paint for tanks in the desert -- works great, but
it's
pink
!
-
DTI had an Enigma machine they'd bought at a trade fair before the
war -- they didn't realise its value
-
The US film about Enigma -- it would be like showing British
Marines storming Iwo Jima!
-
SCRAM -- Safety Chain Reactor Axe Man -- cut the cord to drop the
rods in the pile
-
Allies never developed rocket tech, because, until the V2, it was
thought to be a toy
-
rockets are heavy metal tubes full of gunpowder and couldn't
possibly be scaled up to V2 size
-
didn't think liquid propellant could be made to work
-
don't use anything that stupid unless you have to!
-
there were many miracle weapons that won the war
-
Archimedes had a good publicist
-
Steampunk -- steam in the present day
-
diesel punk -- 1920s and 30s tech into the Cold War -- eg
Charlie Stross
Panel --
Fu Manchu and Mr Big : Xenophobia and Bad Guys
Marcus Rowland, Jessica Rydill, John Richards
-
long history of evil foreigners
-
James Bond
, 2nd book, Mr
Big -- a black criminal
-
had black villains
and
black goodies
-
Fu Manchu -- Chinese -- sinister orientals
-
1890s technothrller
The Angel of the Revolution
-- Natas,
an evil Jewish ex-merchant, now running a evil international
socialist conspiracy -- hypnotic powers
-
Carl Peterson (in the Bulldog Drummon books) obviously modelled
on Natas
-
Blofeld
-
Dr Nicola, 1900
-
a foreign Moriarty
-
2nd Dr Nicola novel -- he occasionally has noble qualities --
but all underlings worse, depending on nationality
-
Dr Doom
-
evil foreigners setting out to conquer the world
-
never explained why they want to do this!
-
in opposition to these, often had some good guy foreigners,
but were often generalising from one person to whole race
-
we have gone to the other extreme from the old "wogs start at
Calais" view -- today can't have any foreign baddies at all -- so
they now have to be the undead
-
in fantasy -- very few black characters at all
-
In
Buffy
, the
baddies turned goodies are Irish/English -- very few Blacks or
Mexicans
-
In
Batman Returns
-- Danny de Vito as the Penguin --
people of reduced stature protested!
-
fear of being thought of making the generalisation
-
want a day when can have a baddie from a minority without making
the assumption that all of that minority are bad
-
Magneto
is a Jewish
Holocaust survivor -- there's no such assumption there
-
backlash of Evil British villains
-
Mafia -- never any real suggestion that
all
Italians are
bad guys
-
had an Italian anti-defamation league
-
Russian Mafia make
great
bad guys!
-
stock villains -- Nazis and neo-Nazis
-
no-one is going to come up with an anti-defamation league for
them
-
robots!
-
other cultures are also xenophobic
-
generic villains are too boring
-
last thing you want is a hero who is completely good and pure
-
Victorian literature -- many heroes were flawed
-
Sherlock Holmes
-- decadent tradition
-
more often, is a good ex-soldier, a rugged colonial, who can
do things a British Gentleman couldn't do
-
Captain Nemo was trying to keep the seas free of pollution and
prevent war -- by sinking everything!
-
end all wars -- by destroying everything
-
Babylon 5
-
Shadows -- wanted to improve everyone evolutionarily -- by
pruning the weak
-
Vorlons sent planet busters to destroy Centauri Prime to get
Shadow minions
-
Just because you are oppressed doesn't mean that you're
not
trying to blow up civilisation
Dave Lalley --
Miscellaneous 2
M2 tape -- a 2 hour compilation of ads, etc -- which we watched for the
brilliant
Doctor Who
clips set to
Bonnie Tyler's Total Eclipse of the Heart (which is near the end).
[2008: There are now several "next gen"
YouTube
variants
available: good, but not as good as this original!]
Also contains:
-
Vodaphone/
X-Files
ads --
including Jon Pertwee and the "Doctor on Call" sign
-
some
very
chilling North Korean propaganda ads
-
1984 Apple ad
-
Walkers crisps -- Gary Lineaker cloned into Vinnie Jones
-
various Carlsberg and Carling Black Label UFOs
-
several car ads including
-
"V-Dubya" aliens / Golf GTi / Ford Escort
-
Almera : Professionals / Sweeny
-
Honda sequence
-
weightless Flake / Kitkat / Longlife Milk (filmed on Mir!)
-
Kitkat Daleks
-
program clips
-
Dead Ringers:
Terminator
sequels and Gandalf Big Brother
-
Gay Daleks [
very
strange...]
-
Big Read
Ben Jeapes --
GoH Desert Island Discs
-
[audience hummed the theme tune]
-
choices are in alphabetical order, to avoid questions
-
I would grow sick and tired of pop faster on a desert island
-
Beethoven, 6th Symphony
-
has a photocopier which had that rhythm
-
Immortal Beloved -- Gary Oldman -- music reflects state of mind
of composer when composing it -- 6th has a pleasant mood
-
can listen to same piece of music over and over again
-
can do this with some other things, like comedy routines --
the anticipation is part of it
-
Flanders and Swann -- Madiera M'Dear
-
Handel's Messiah -- Unto Us a Child is Born
-
would have loved to be Isaiah writing the prophecy to this music!
-
never been to the whole thing -- it's 6 hours long!
-
first publication -- Digital Cats Come Out Tonight -- a short
story in
Digital Dreams
, edited by David V Barrett
-
Human League -- Seconds
-
was 15/16 in the early 80s -- New Romantics seared onto
consciousness
-
totally synthetic -- not a natural note in it -- like eating a
chemical cream bun -- guilty pleasure
-
did my degree in Philosophy and Politics at Warwick
-
second novel -- Winged Chariots -- mostly regurgitated my
medieval philosophy notes!
-
developing scientific method
-
anything that counteracts Libertarian politics is a good
idea
-
relatives asked "do you want to be a politician?"
-- just because you are a medical student studying nasty
tropical diseases doesn't mean you want to catch one!
-
Bert Kaempfert -- Swingin' Safari
-
earliest musical memory
-
I listen to Radio 2 to and from work -- Classic FM at work, until
2, with its "soporific classics" -- at home it's REM,
complete hits of Abba, ...
-
Clooney chose Shatner's "Lucy in the Sky With Diamonds"
-- incentive to get off the desert island -- would hollow out own
leg to make a canoe!
-
Shatner was Christopher Plummer's understudy in Shakespeare
plays -- he never went back to the stage after Star Trek
-
Ennio Morricone -- Once Upon a Time in the West
-
music was composed first -- the film was built around it
-
in pre-Internet days, could watch it and be
surprised
that Henry Fonda was a bad guy
-
such a wonderful ending
-
listening to Classic FM -- there is some good modern stuff, but
it doesn't hold a candle to the older stuff
-
latest novel --
New World Order
-
this was me "doing Turtledove" -- altering the
English Civil War
-
there is intervention from outside -- but not aliens or time
travellers
-
Cromwell's undercover resistance army against the invaders
-
Queen -- '39
-
I'm almost convinced it's an SF song -- either time travel or
very long space travel
-
now working on the first of what will hopefully be a series for
younger readers -- "Harry Potter meets the Illuminati" --
Unseen Forces
-
I'm almost Sebastian Rook, hack writer, Vampire Plagues trilogy
-
another Sebastian Rook is writing the next trilogy
-
write to a script
-
next real novel --
Return to Space
-
Shostakovich -- Jazz Suite #2, Waltz 2
-
incidental music in
Eyes Wide Shut
-
Finally: you're given the bible, Shakespeare, and LotR -- what other
book?
-
and your luxury item?
-
a Ruined City for exploration, and generating ideas for plots and
settings
Armand Leroi
--
George
Hay Memorial Lecture
Human Mutants
-
Reader in evo/devo biology, Imperial College London
-
New TV series later in the year on C4
Robert Rankine -- GoH
An hilariously scurrilous talk, accompanied by a chavification
transformation
World Premiere Audience Participation Richard III
A David Wake Production -- including a cast of thousands (if you count
the audience, several times) -- and a bemused
Jasper Fforde
-- in the hotel Rotunda
(see Souvenir Book cover photo -- an appropriately hi tech metal and glass
Globe Theatre)
Filk concert
-
.../Then he got his soul again/.../They're acting like arseholes
again/...
-
SteveK and Fi performed their "Watching Angel Instead"
-
Just a glance/I saw him on Buffy/And I was enthralled/...
.../Then the chance arose for a spin-off show about the
undead/I'm watching Angel instead/...
.../I wanted Spi-i-i-ke/He's the one who's sexy/He's the one
who gets me/...
-
Highlight was probably the finale: an improvised Theramin and Hammer
Dulcimer duet! Differently
different
James Steel and David Wake --
To Live and Die in Costume
-
James Steel
-
Horse,
White Rabbit
(
last
year
), Griffin, Nessie, ...
-
it's important that your costumes don't have sharp bits -- my
costumes get fluffier and cuddlier over time!
-
transport -- it should fit in the car -- get a bigger car!
-
David
Wake
-
Alien Queen
-
Intuition 1998
Masquerade -- won, and
broke ankle!
-
every joint is articulated -- then covered in black stuff so that
it doesn't move...
-
advice: no stilts -- I practised on carpet -- reality was a lot
more slippery!
-
proper stilts, strapped up the leg a long way,
look
like stilts
-
leaf spring sprung stilts -- people can run in them --
very
expensive
-
everyone said I would break my neck -- they were all completely
wrong!
-
broke a bone in one ankle, and twisted the other knee
-
did the next MIB okay
-
had a limp by the time of the photocall
-
next morning, sat down for breakfast, and realised couldn't
get up again -- I had breakfast, then called for an ambulance
-
the 15 foot test
-
must look good from 15 feet, doesn't matter what it looks like
close up -- unless you are going for the Workmanship Award -- don't
bother with small details
-
can tell fur from canvas at 15 feet -- but can use very
cheap
fur unless want it seen close up
-
anatomy and skeletons
-
Mr Tumnus leg shape -- insulating pipe is wonderful -- can use
the plastic plumbing it insulates as reinforcement if required
-
"anatomy
for artists" -- go back to basics -- build the skeleton, then
build the body up from that -- so it has an anatomy underneath
-
horse jaw is properly hinged at the
back
-- pipe and
gaffer tape
-
"
24-hour centaur
" -- hold
close to body so that the rear doesn't waggle independently, and
moves properly
-
remember it's theatrical
-
big obvious dramatic movements
-
use the whole stage --
fill
the stage
-
even a short walk up the aisle is an acting job -- you have to
feel
like an invulnerable alien queen, and move like one
-
visibility -- seeing out
-
can use netting -- but as soon as the spotlight hits you, it
becomes opaque!
-
accessibility
-
triffid costume -- bushy base + fibreglass triffid
-
completely disguised fact there was a person inside -- where
does the person go?
-
in the base, on castors
-
but there were three steps down to the catwalk!
-
other problems: small doorways, low ceilings, chandeliers, ...
-
tend to reuse costumes, so build well
-
make them break apart -- for reuse, and for transport from home
-
velcro tends not to be strong enough -- use ties
-
heat
-
in the Griffin, was wearing boxer shorts only -- was boiling in
there!
-
RSC
Narnia
-
the movement of the animals was very good
-
they studied real animals
-
the costumes helped this movement -- eg sprung tails
-
wooden snakes move well -- something like that with a small
amount of elastic should work well as a tail
-
get someone to direct you, to say what works
-
Nessie
-
used flag support belt -- could lean over close to horizontal
-
yellow hard hat -- attach poles at 3 points, up to Nessie's head,
can move head independent of neck
-
one con there was a costume that combined a weightlifter and gymnast
-- looked very good
Panel --
Altered People : SF and the Divided Self
Caroline Mullan, Julian Headlong
[missed the first half]
-
Tanith Lee
's
Drinking
Sapphire Wine
is a riposte to Arthur C. Clarke's
The
City and the Stars
-
end up with universities dedicated to educating a single person and
all their clones
-
real life is complicated and messy and takes a long time to learn to
deal with it -- none of these stories worry about this
-
Altered Carbon
makes a very good job of discussing this
-
the sequel has more sex, violence and torture than any book ought
to
-
I don't know how much SF Morgan had read before, but he had read
some
-
first 8 pages appear to be pure gratuitous sex and violence
-
story starts with a bang
-
have to read through this, which I actually don't like, to
get to the story
-
Jon Courtenay Grimwood
also
integrates nastiness and violence into stories of transcendence very
well
-
David Brin doesn't
-
Kiln People
is
just lots of shiny balls around every corner
-
trying to write a noir book -- and failed
-
sequel,
Kiln Time
, due out soon
-
Kazuo Ishiguro's new novel is about clones -- but don't discover that
until 2/3rds through
-
Margaret Atwood --
In the Woods
... which of course isn't
SF because there are no squids from outer space...
-
Roth has just written an alternate world story of Nazis in WWII,
and said he had no literary tradition to work with...
-
Suzy McKee Charnas
-- female
societies that clone themselves -- the Rosemary tribe thus has bad teeth
and hot tempers, etc
Panel --
Dan Dare and the BSEF
???, Simon Bradshaw
-
Dan Dare
: British Empire in Space
-
Sikhs in space suits, Mounties on Mars, ...
-
Journey into Space
-- last radio series to get larger
audiences than any TV series at the time
-
assumption that the British would have a meaningful space programme
-
started to die in the early 1960s -- after cancellation of Blue
Streak in 1960 as a nuclear launcher -- early 1970s
Dr Who
still have British
astronaut (coming back with strange plagues) -- oil crisis in the
mid 1970s was the end
-
so British space programme now relegated to Alternate Histories
-
Ministry of Space
-- short graphic novel -- Warren
Ellis -- Brits get to Pinemunde first -- dark parody of Dan Dare
towards the end
-
Hugh Walters
-- Chris Godfrey
series -- UN Space Agency, but run by Brits
-
Quatermass films -- based on a British space programme
-
Dr Who --
Remembrance of the
Daleks
-- two female scientists, bomb disposal squad "let's
get back to Berlin and see how things are doing at the rocketry group"
-
Jeff Hawke
-- Express
newspaper comic strip
-
Prospero One
-- Simon Bradshaw and
Stephen Baxter
-- Interzone ~1997
-
UK one of the few countries that has launched its own satellite
with its own launcher (and that
after
the project was
cancelled!) -- Blue Streak as first stage of the launcher --
decision was made to go a joint European route -- never worked --
plug pulled in early 70s
-
if the UK had built the whole thing themselves, international
management issues would not have arisen -- turning point for
Prospero
One
-- set in 1974, beginning of oil crisis -- programme
cancelled, test launch, gets into orbit, then something goes wrong
...
-
Another, written a few years later, set earlier, BIS design of
the 1930s was built --
Rocketship to the Moon
-- 100s of
solid rocket boosters strapped together, electromechanical firing --
stainless steel and cordite -- set in 1950s, after a WWII where
Edward VIII never abdicated and had an armistice with Germany after
Dunkirk -- Britain to moon first -- von Braun and nuclear rockets,
so off to Mars!
-
another assumption -- we have Australia, full of empty desert
-
Alan Bond -- Hotol -- late 1980s
-
very unusual design for an airbreathing rocket
-
BAe and RR were interested -- but RR not that interested in
building only a dozen engines
-
also reluctance because of Concorde -- very expensive, very
limited production run
-
new version -- Skylon
-
each new version looks more and more like Fireball XL5
-
Surrey University have launched about 20 satellites
-
"nano-satellite" ~ 1kg -- can rendezvous with another
satellite, photograph, etc
-
got a "hint" from the US government that they
didn't want their satellites investigated
-
DMC -- Disaster Monitoring Cluster
-
low cost rapid response system for natural disasters
-
used during the Boxing Day tsunami -- very useful
-
Beagle 2
-
grossly underfunded, so almost no internal redundancy
-
parachutes redesigned at last minute -- too small
-
very little quality control, but everyone tried very hard
-
too much inertia, not enough funding, no-one willing to pull the
plug
-
can't fly on that much of a shoestring
-
other Mars shots have gone spectacularly wrong with more money
-
ESA
-
UK don't fund launchers or manned space flight missions -- so
don't get any contracts for these
-
British space industry ~ 1bn/yr -- mostly satellites --
comms/land use/GPS/...
-
at the moment, every Atlas 5 that launches uses a Russian engine
-
single stage launcher -- ~95% fuel, 5% spacecraft
-
multiple stages -- better ratio
-
currently trying to improve economies so that losing a stage
isn't so expensive
-
smaller companies going back to kerosene and hydrogen peroxide
-
lower energies, but higher densities, than hydrogen and
oxygen
-
X-prize -- making people try other technologies
-
nitrous oxide and rubber -- hybrid rocket
-
Why did you reset
Mad Max
in Suribiton?
-
(I was an English Language teacher for 14 years -- one of the
things you learn is to get the
class
to talk)
-
I thought people had misunderstood Kovacs in
Altered
Carbon
-- "He's a bastard, but he's got a code of
honour" -- I looked back through the book -- nope, no code of
honour -- So I wrote
Broken
Angels
to show him up in a military context -- but I
prefer noir, back alleys, etc, so I went back to that
-
violence is very exciting, when you are observing from the
sidelines -- attraction, but also a repulsion -- so I have an
unwillingness to airbrush out the nastiness -- a gun is an advanced
knife, a means of putting holes in people -- it's not clean, not
A-Team
-- don't even get any of the thrill
-
very often violence is very swift, and people aren't even aware
it's happened -- my characters are acquainted with it, however, and
have a level of comfort with it -- not fazed by it
-
I really enjoyed the books, but then felt guilty -- but that's
the reaction I'd want from my readers -- most of the negative
reactions are to the political assumptions, especially in the US, or
to the sex
-
Do you set out to put in a lot of violence, or does it arise from
the story?
-
It's from impotent fury -- to teach English, you need to hand
over control -- this is sometimes interpreted as weakness by the
students -- have to listen to a load of
shit
! -- spend whole
working life being immensely polite to a load of wankers -- Kovacs
leaked out of me!
-
He has a very incisive mind -- slashes stupid ideas to pieces --
but he's very questionable, and not always right
-
Whence the Japanese name?
[Takashi Kovacs]
-
Two names collided in my head -- Kovacs is the Hungarian surname
of a pen-friend -- I'm also getting into Japanese culture, food,
literature -- Takashi is a common name, and I liked the way it
sounded -- so then had to create an entire global culture based on
this!
-
Is the world going in as dystopic a direction as
Market
Forces
?
-
it's a kind of funhouse mirror
-
Bradbury
wrote
Fahrenheit
451
but never believed
all
books would be illegal --
never thought people would say "The Bible!
it's
a book!
burn it!" -- he was exploring a trend -- McCarthyism, etc --
turning up the dial
-
this takes mobile capital, 1st Gulf War, etc, and turns up the
dial
-
but tendencies to hand over to private finance is an alarming
tendency across the whole political spectrum -- lack of faith in
municipal power -- power rooted in the community -- nothing is
guaranteed to turn you into a Thatcherite faster than working in the
public sector -- they know their job is secure, so just don't do it!
-- state power
is
subject to abuse -- but why do capitalists
say these people need a kick up the backside, then when we get PFI,
say people are angels again -- they're either bigoted idiots, or
lying through their teeth
-
Where did your
Altered Carbon
background come from?
-
Bladerunner
--
Poul
Anderson
's
The Enemy Stars
Protectorate, death lands
on colonies, Ancient Alien Civilisation at a distance --
Bob Shaw
's
Ship of
Strangers
, cartographical survey, very dull job, grumpy
middle-aged engineers, and a barely touched on alien civilisation --
reaction against
Heinlein
: we
get there by
nicking
stuff -- --
Poul Anderson
's
After
Doomsday
, loaned alien tech
-
have an interstellar civilisation, but no
idea
how to run
it -- a mess! -- most of the time
I
don't know what's going
on -- I like the messy feel
-
Market Forces
is not like that -- I'd written it as a
screenplay -- it's rather too clean
-
What now?
-
I like writing about Kovacs, but can't think of another slant on
it -- maybe in some years time
-
I'm currently writing a nearish future detection fiction
Black
Man
-- issues about what's behind race -- externalised fears --
main character is Black, but that's not an issue, but other things
about him
are
an issue -- but is the guy he's chasing the
Black Man?
-
also doing some Marvel Comics stuff --
Black Widow
--
originally she was to stick a knife in someone's back to cripple
them -- had to go right to the top -- everyone freaked -- eventually
got the okay, but she mustn't use a knife -- so she has to do it
with her
bare hands
!
Panel --
The Hero as Villain
Ian Watson, Richard Morgan, Juliet McKenna, Geoff Ryman
-
distinction between villains and anti-heroes
-
a villain is a
bad
guy -- there are charismatic villains,
but they're not heroes
-
problem today because heroes are enmeshed in the culture of
literature
-
not a problem earlier -- Gilgamesh is unquestionably the hero,
and is a bad man, an oppressor -- about the struggle to build
civilisation
-
we're so use to thinking of heroes as good guys, we forget how
uncomfortable it is to be near them
-
antihero: one who takes the tools of evil to do good
-
nobody ever sees themselves as the villain
-
we see all sides of the argument nowadays -- a level of
sophistication -- difficult to see anyone as all good or all bad --
there is no simple side
-
eg, there were black slave owners in the South
-
this recognition eliminates the savagery necessary in an
expanding culture
-
the Raj was incredibly brutal -- but it did attempt to
eliminate things like suttee
-
we are no longer as a culture able to take a simplistic stance on
heroism
-
movies are more simplistic -- heroes fulfilling the role of
villains
-
The Matrix
--
system is preserving the human race in the highest state of
happiness that it can -- utopia is impossible, but 1999 Chicago is
2nd best -- Earth is ravaged, and it's impossible to sustain all
those people -- Neo
et al
are stupid terrorists -- it is a
fashion movie
-
Star Wars
--
The Phantom Menace
-- find a slave culture -- don't free
slaves, but kidnap children and bring them up in a strange religious
cult
-
can do this re-reading for anything -- even
LoTR
-- what do the orcs think?
-
but people still want a traditional hero
-
one book -- deeply unpleasant person who is the leader of an
oppressed minority -- readers complain "you can't do that!"
-
another -- leader who is "good", looks after his
family, takes leadership role seriously -- yet rules a militaristic
slave-owning society
-
number of tricks to get readers to identify
-
have a very bad system with very good people in it
-
it's better to be confused by a book than by real life
-
Mary Gentle's
Grunts
is from the PoV of the orcs
-
mutant cannibalistic halflings is a stroke of genius -- works,
because it's
funny
-- Armies of Light are quasi-fascistic
Jedi Elves
-
can a hero have a sense of humour? -- the clean-cut all-American hero
can be very boring -- but so can the villain
-
anti-hero: good destroyer, tearing down the oppression of the "civilisation"
we have built -- destruction is intoxicating, as anyone who's been to
the bottle bank knows!
-
The Terminator
as
hero gets to do what we would all love to do -- stalk through things
that get in the way
-
Trickster in myth -- proto-anti-hero -- transgressor -- licensed
misrule
-
reconstruction of vampirism -- tragic sensual figures of overriding
magnetic fascination
-
Werewolves -- Robert Stallman
Book of the Beast
trilogy
-
we heave learned to empathise with the villains more than we've
felt the need to give heroes flaws
-
we don't find heroes and villains interesting any more
-
can just about identify with hobbits -- the heroism of the small
and powerless taking on a hopeless task
-
heroes are dangerous -- Osama bin Laden fits the "classic heroic
profile"
-
noble birth -- leaves home to take up arms in a foreign land
(Afghanistan) and wins against the oppressor (the Russians went
home) -- then has to take on a new higher task
-
acts are good or evil -- but when you apply these labels to people,
it doesn't fit
-
there are no metaphysical agencies -- Israel and Palestine both
have right on their side
-
Bush has absolute belief in Good and Evil -- "The Axis of
Evil" -- he doesn't read
-
Star Wars
is crap because of this division of the world
into good and evil
-
the further we get from WWII, the more we reinterpret it -- eg
fireboming Dresden is now interpreted as an Allied war crime -- allied
leaders' decisions allowing people to die "for the greater good"
-
there is a difference between "hero" and "main
character" -- eg Darth Vader, Hannibal Lector
-
Michael Moorcock
-- the hero
acts -- the hero is a verb -- just follow the actor -- then there's the
horrible aftermath
-
someone other than Lucas could take the first
Star Wars
trilogy, and take the Jesus Christ figure being satanised by his
experiences
-
WWII -- right decisions made -- don't go to war for as long as
possible -- but then when it's clear, you fight -- so this means you
never disarm -- need a well-trained army, so that they don't mistreat
prisoners, etc
-
Indian Ocean tsunami -- it's your moral duty to sunbathe on the
beaches while the corpses are being cleared up -- so as not to
destabilise the economies
-
good and evil, have a mechanism for a happy ending -- both sides
right, only tragedy
-
have to demonise in a war, because heroes have to do
unconscionable things
-
leader/hero must die at the end -- don't want them around during
the aftermath -- as Churchill discovered when he was voted out of
office as soon as possible
-
we want to read about a slightly simpler world -- offers a release
-
early heroes were "larger than life" rather than "good
guys" -- at some point, they also got to be virtuous
-
Touching the Void
-- Joe Sullivan -- horrific climbing
injuries -- dragged himself back to camp -- in the film you see the
driving determination to keep going, but not a very likable guy --
the other guy has not dealt with it
-
as children we have no problems with heroes -- then start to see the
greys
-
2nd Indiana Jones film -- "Messianic White Thug"
-
Poul Anderson
,
Dominic
Flandry
-- took a while to realise there is a torture scene done
by Flandry
-
LoTR is a monster movie -- all the evil characters are bestial -- men
slaying fell beasts -- as soon as it becomes man against man, can't have
that escapism
-
Alien
,
Predator
-- really good monster movies
-
Smeagol/Gollum
-
heart and soul of the moral ambiguities
-
crux appears when Frodo has betrayed Smeagol
-
diversity of goodness is important -- difficult to get right
-
ring bearers -- Frodo, Sam, Smeagol
-
he's a catalyst -- makes you see shades of grey -- saves it from
being unthinking black and white
-
fallen angel -- corrupted by power, rather than a petty god
-
LoTR different from all fantasies -- no gathering plot coupons --
need to destroy the power, always tempted to use it instead
-
the Ring wouldn't have been destroyed without Smeagol
-
Gone With The Wind
-
deeply ambiguous hero story
-
Scarlett O'Hara -- the South was held together by the women,
because the men came back broken
-
Tolkien also shows the price the heroes have to pay -- Frodo has
PTSD! -- makes it very real
-
human errors are tragic figures -- squabbling Marines in Aliens:
stupid humans who can't get their act together
Masquerade
Panel --
Drummond, Templar et al: the Clubland Heroes
Marcus Rowland, John Richards
-
started with Richard Hannay, up to the 1950s --
James Bond
was either the last,
or the first of something new
-
Bulldog Drummond, the
Saint
,
...
-
Bulldog Drummond builds his own fascist organisation to right the
wrongs -- the Black Gang
-
Drummond out of WWI -- he had a "good" war -- public
school jock -- direct
-
unbelievably thick! -- strength of two men
-
too thick to fall into any of Peterson's subtle traps -- one
skill Peterson has is to uncork champagne bottles, drug the
contents, recork, and no-one notices -- wonderful villain in his own
right
-
Drummond has been filmed several times, with no success at all
-
casting Walter Pidgeon as Drummond was by the same casting
people who thought Val Kilmer would make a good Saint
-
Hannay changed character after the war
-
changes into this kind of hero in
Three Hostages
-
he's official, working for the government
-
not as fascist as Drummond -- South African (foreigner, so can
get away with not being a gentleman) -- mining engineer -- has
worked for a living
-
Drummond's Phyllis is
the
wimp -- she's born to twist her
ankle -- she's born to scream!
-
she pales into insignificance before Irma, Peterson's mistress
-
Patricia Home
-
usually rescues herself -- rescued by the Saint a couple of times
-
the antithesis of Phyllis
-
Simon Templar also went through the war, but it left him stronger
than Drummond -- Drummond would have kicked the sick
-
Templar needs the money, and has a dislike of bullies
-
pursued by Claude Eustace Teal who is convinced he is a cat
burglar and jewel thief -- mainly because he
is
!
-
making someone's mum cry is a reason for the Saint to drop you
down a lift shaft -- and he will!
-
the Saint is not a nice man
-
George Sanders -- most iconic Saint movie -- went off to become
the Gay Falcon -- urbane, elegant, air of menace
-
change in the Saint books after
The Last Hero
-- last
book of first era, where he murders an arms manufacturer -- moves
him to Europe with the police on his heels -- with the Saint acting
like a psychotic League of Nations -- then off to US (couldn't have
the Saint running around Europe during WWII) -- Charteris seems to
be losing faith in the Empire, and the Saint becomes less the
typical Clubland hero
-
Vendetta for the Saint
is by
Harry Harrison
-
Biggles is not a clubland hero
-
he works for a living and is a serving officer
-
he's also a colonial -- more like Hannay
-
not a clubbing type -- hangs out with the mechanics!
-
Templar cultivated odd acquaintances -- eg gem cutters
-
Campion
is more a
detective -- starts off a bit shady
-
John Creasy
has the
Toff, and the Baron -- the Toff is more a detective
-
Raffles is the wrong era -- dead before WWI
-
Lord Peter Wimsey
--
has a bad WWI
-
less of an action hero -- not acting outside the law -- friends
in government -- quasi-official capacity
-
Colin Watson -- Snobbery with Violence -- sung of clubland heroes
-
Vincent Price -- radio Saint -- wonderfully definitive Simon Templar
-
the humour -- song in his heart, laugh on his lips, knife at your
throat
-
James Bond isn't in the genre -- works for the government and is
trade
-
his secret identity is a clubland hero!
-
Dennis Wheatley
-- Gregory
Salhurst
-
Kim Newman
-- "Pitbull
Brittan" [as by Jack Yeovil] -- great satire -- anthologised in
various places
Panel --
Death of the Hero
Ken MacLeod, John Richards, Richard Morgan
-
traditional part of the legend is the hero leaving, dying
-
Hercules, Beowulf, Hector, Achilles -- famed for their death
-
necessary end to the story
-
John Wayne in the
Searchers
-- walks off into the
desert
-
Duke of Wellington would have been so much more beloved by the
British people if he hadn't been PM
-
heroes are supposed to be an inspiration -- how to live and how to
die -- so they have to die -- important thing is to die well
-
so why do so many heroes today go over the Reichenbach Falls on a
bungee rope?
-
Comic Book heroes of course never die, now matter how much they've
been killed
-
in our culture death, as part of life, is fading
-
meaningless of individual heroism in two World Wars -- whether
you lived or died was independent of heroism, actions
-
improvement in healthcare and life expectancy -- experience very
little death in the family nowadays
-
sheer narrative pressure of SF -- life extension, technological
resurrection -- fun to explore, even though wishful thinking
-
capitalist necessity of making money from story telling
-
in the past, could tell the same old story -- the skill was in
the telling
-
recently, hunger for new stories
-
also, plot device of "coming back"
-
disappears to be reborn in hour of need
-
King Arthur -- Christian myth of resurrection and rebirth
-
Gandalf
-
KMacL: the Arthurian myth isn't one that resonates with me -- don't
know why
-
Arthur's adventures
-
decline of pagan power -- Merlin represents all that is to pass
away -- pagan/Christian tradition
-
dealing with a culture that lost -- can still live in his image,
and
he's coming back
-
Christianity has a lot to answer for
-
pagan -- death wasn't the end, but you didn't come back from it
-
something very beautiful lost -- Twilight of the Gods
-
can lead to an enormous power in life -- make the most of it!
-
heroic tradition is savage and beautiful -- from a distance
-
Christianity -- forgiveness -- Vikings delighted -- can give up
on death feuds
-
Icelandic sagas
-
realistic accounts of people who have no fear -- die with a joke
-
ideals -- how they would have liked to have been
-
Valhalla and Walsall have the same roots!
-
there have been many Christian heroes
-
martyrs/soldiers on both sides of many recent wars -- very devout
Christians
-
strange concept of a Holy War -- politically expedient, rather
than flowing from the gospels
-
Joan Aiken
-- Dido Twite
novels -- 4th is an Arthurian legend, and is rather weird...
-
John Whitbourn
-- Royal
Changeling -- 17th Century Arthurian -- he's the bad guy
-
today, it's a cop-out if the hero dies -- expected to stick around
and deal with the consequences
-
Che Guevara fits the heroic pattern in the arc of his life
-
became a really crap politician -- hated the whole process --
preferred to go and chop sugar cane
-
finally went off and got killed -- couldn't sit still
-
very bad at being post-heroic
-
we're not so much death averse as wanting the comfort of the familiar
-
if we like the hero, we want a trilogy!
-
there is also the archetype of the hero who fails to die
-
King David -- became corrupt
-
the tragedy is that they
didn't
die -- not up to the
subtle non-heroic problems of the adult, rather than those of the
young man
-
Paul Maud'dib
- I wish he'd
died before
God Emperor
!
-
the heroes of modern culture aren't warriors
-
pop stars die young -- Kurt Cobain, etc
-
by dying young you preserve your purity
-
hero going in to politics needs totally different skills
-
crisis phase -- "emergency services hero" -- then
recovery phase -- different set of people -- hero goes back into the
box
-
maybe in the past, didn't identify with the hero -- today we do, so
don't want the hero to die
-
American culture -- terror not only of death, but of being not a
winner -- a "loser" -- their sports do not have draws
-
in a crisis, lots of "ordinary" people do heroic things
-
Indian Ocean tsunami -- a woman couldn't tell the one next to her
to run, so snatched her child, and her two own, and ran 500 yards,
the other woman chasing her -- later, didn't know how she'd done it
-
sagas -- can add new scenes on retelling
-
comic strip -- need to add new scenes on the
end
-- so
can't kill them -- hard to get any dramatic tension!
-
tension between super life and mundane life -- paralleling
growing older -- heroism as freedom, versus adult responsibility
-
heroism as everyday person fighting the good fight day after day
-
fighting a continuing ongoing battle against evil
-
the hero can't die at the end of the big battle, because there
isn't one
-
"Unhappy is the land that has no heroes" -- "No --
unhappy is the land that
needs
heroes" -- Galileo
-
civilised society shouldn't need heroes
-
heroism is getting on with everyday life, which isn't very
exciting
-
JR [aside]: we are living in a universe where
Battlestar
Galactica
is better than
Star Trek
!